We started by washing the gargs with plenty of water and
ammonia-based cleaner.
We decided on ammonia because it would not leave a film, and the use of ammonia to stabilize
liquid latex implies that the chemicals are compatible.
Washing removes talcum powder, as well as any leftover mold-release compound and other debris.
We painted the gargs with WF Acrylic Artists Ink, applied with an
air brush.
The inks are $4.29/bottle (October 2002).
Gargoyle Base Coat
| quantity | ingredient |
| 2 tbs. | water |
| 4 droppers | "cool gray" WF Acrylic Artists Ink |
| 4 droppers | "black" WF Acrylic Artists Ink |
| 2 tsp. | weak ammonia-water |
Mossy Lowlights
| quantity | ingredient |
| 2 tbs. | water |
| 1 droppers | "black" WF Acrylic Artists Ink |
| 3 droppers | "sap green" WF Acrylic Artists Ink |
| 2 tsp. | water or weak ammonia-water |
Highlights
| quantity | ingredient |
| 2 tbs. | water |
| 2 droppers | "white" WF Acrylic Artists Ink |
| 2 droppers | "cool gray" WF Acrylic Artists Ink |
The ammonia-water (thinned glass cleaner) was added as a surfactant to keep the water-based ink from beading up on the latex rubber surface. This might have been helpful on the first few coats, but is not necessary on subsequent layers, after the ink has established a foothold.
We diluted the FW Inks with a lot of water,
so it took numerous coats to build up enough color to cover the latex.
The highly thinned inks work well for subtle detail, because minor errors are nearly invisible - several applications are required to make the color visible.
Thank you for visiting. Your comments are welcome.
. . .
. . .