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All of the control equipment was mounted on scrap pieces of leftover masonite. One board contained the pneumatic equipment: pressure regulator, distribution manifold, valves, flow regulators and mufflers, and solenoid driver (Parallax EFX DC-16 Digital Output Board). The other board contains the Prop-1 controller and sound equipment. There are only two connections between the two boards: power and a thin control signal cable.
The various printed circuit boards were mounted on hexagonal aluminum standoffs, threaded for #4-40 bolts. The bolts that we used have 1/4" of thread.
This is a mockup of the main control board,
with the major components just sitting on the piece of masonite.
The Prop-1's Inputs and Outputs are allocated as follows:
For reasons mentioned elsewhere, we need more outputs than a PROP-1 provides.
We decided to use a Parallax
DC-16 Digital Output Board
to add more bits.
The DC-16 board takes a single input signal and uses it to drive up to 16
solenoids.
This was a pre-production prototype board
generously provided by the nice folks at
Parallax EFX.
The particular solenoid valves that we used (Mead LTV-120) require two signals each: one signal to push the valve open; another signal to push the valve closed. When there is no signal, the valve stays in the last position you put it in. That means we need eight output drivers just for the four solenoids. We decided to use a Parallax DC-16 Digital Output Board to add more bits. The DC-16 board takes a single input signal and uses it to drive up to 16 solenoids.
We decided to mount the DC-16 with the rest of the pneumatic components, with a single control cable running from the Prop-1 to the DC-16.
Looking at the solenoid coils:
The problem with fully automatic operation is that the doors swing open rapidly and the Beast jumps out with force. You don't want to trigger the Beast when some kid is trying to peek into the crate. This requires a lot of safety mechanisms.
For now decided on manual remote control. We trigger it via X-10.
This puts a "man in the loop": the crate only gets triggered when a human sees that it is safe and presses the button.
There are actually two X-10 trigger signals: one rattles the lid, the other makes the beast attack.
Both sound tracks are mixed together and are played through
amplified speakers.
This Audiologic portable CD player was purchased at
Fry's
for $20 (September 1999).
We bought four of them for
spot sound
in various haunt locations
and decided to put one in the crate for the "ambient" sound track.
The extra loud roars are digitally canned sounds,
played through a
Parallax EFX
AP-8 board.
Rather than put in a light that's on all the time, we wanted to give it some life. So we fed the audio channels into a color organ.
The color organ is not under the direct control of the Prop-1 controller. It simply listens to the combined sound track, part of which is triggered by the Prop-1.
The fog effect is created with a glycol fogger which fires on demand from the Prop-1 controller.
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